Frithjof Schuon is a pivotal figure in the traditionalism movement, known for his profound insights into art and spirituality. Schuon’s artistic philosophy is rooted in the awareness of the Absolute and the symbolism it encompasses. He posits that beautiful shapes, the external or material realm, while virtue cultivates the internal space of the self. This article aims to explore Schuon’s philosophical perspective on art and its implications for interpreting the works of Sohrab Sepehri. Key elements of this discussion include the transition from the sensible to the intelligible realam, the symbolic nature of art, the absence of innovation in traditional forms, the practicality of artistic expression, and the alignment of form, materials, and symbolism with the principles of traditional art. Employing a descriptive-analytical research method, this study synthesizes fundamental theoretical frameworks and conducts an in-depth analysis of selected artworks. The goal is to elucidate Schuon’s influence on Sepehri’s artistic vision and to analyze the intellectual nuances present in his paintings. A selection of Sepehri’s works is analyzed to understand how the lack of representation, the intentional simplicity of materials, and the transformation of nature facilitate access to the intelligible realm an alignment that resonates with Schuon’s philosophical tenets. This research is based on comprehensive library data, primary sources, and scholarly articles within the realm of art theory, revealing the connection between nature and intelligibility in Sepehri’s artistic expressions. Findings show Schuon proposes a specific approach to art based on the concept of beauty as a spiritual truth, suggesting that beauty can lead to a deeper understanding of truth and existence. Sepehri has repeatedly explored this theme in his poems, using the clarity and simplicity of nature to convey profound human emotions.